Talking Music with 360, Part 6

Six speaks about an “exciting” song he’s got with Martian and why he never includes punchlines in his storytelling. Before his sold-out Newcastle show on Saturday the 1st of September, I interviewed Matt Colwell, better known as Melbourne recording artist, 360, or simply Six. During our discussion, we spoke about his early 2017 collaborations with Daniel Cooper, better known as Martian (formerly Mini Coop). As … Continue reading Talking Music with 360, Part 6

Talking Music with 360, Part 1

360 on His Lyrical Evolution & Writing Process. Before his sold-out Newcastle show on Saturday the 1st of September, I interviewed Matt Colwell, better known as Melbourne recording artist, 360, or simply Six. During our extensive interview, Six revealed that the different writing style he developed during his brief hiatus (between Utopia and Please Be Seated 3) came about organically: I think that most of … Continue reading Talking Music with 360, Part 1

4 Fins Don’t Hold Back on Their Remix of “Coup De Grace”

This is the quartet’s third song together. A little over three months since their last collaboration , 4 Fins—a collective composed of MiniCoop, Joey Maker, Johniepee and Clue—are back with another, deciding this time to remix 360’s “Coup De Grâce”. Australia’s answer to Slaughterhouse put their pens to work here, and what results is arguably the group’s most ambitious song lyrically to date. Reflecting on … Continue reading 4 Fins Don’t Hold Back on Their Remix of “Coup De Grace”

Seth Sentry Crafted One of the Densest Rhyme Schemes in Aussie Hip-Hop History

When the track list for 360’s Vintage Modern was announced two months ago, one song in particular piqued the interest of fans. “Coup De Grâce” featured longtime friends PEZ and Seth Sentry, and when the music video dropped 36 days ago the collaboration was applauded as the trio pushed themselves lyrically due to their natural competitiveness. Though that was the case, Seth Sentry had the … Continue reading Seth Sentry Crafted One of the Densest Rhyme Schemes in Aussie Hip-Hop History